Contortion FAQ

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Contact us:
Simply Circus, Inc
info@simplycircus.com        
86 Los Angeles St
Newton, MA 02458
617-527-0667
617-431-7352 (Gym)

 

  1. About this FAQ
    1. Copyright
    2. Who is this written for
    3. Disclaimer
    4. I have something that should be added to this FAQ, or a question that's not answered here, who can I contact?
  2. History of Contortion
  3. Contortion Facts and Myths
  4. General information about practicing contortion
    1. What you should know before beginning contortion
    2. What age should you start contortion
    3. Clothing for contortion
    4. About the spine
  5. Contortion Stretches
    1. Head and Neck Stretches
    2. Arm and Shoulder Stretches
    3. Front Bends
    4. Back Bends
    5. Twists
    6. Leg Stretches
    7. S stretches
    8. Standard Warm-up routine
  6. Contortion Balances
    1. Standing Balances
    2. Hand Balances
  7. Contortion Movements
    1. Rolls
    2. Tumbling Skills
  8. Control Exercises
  9. Class resources
    1. Contortion Warm-ups
    2. Contortion definitions
  10. Contortion Resources

Section 1 - About this FAQ

Section 1.1 Copyright

This document is copyright 2009 by Steven Santos / Simply Circus, Inc. (www.SimplyCircus.com), all rights reserved. This document can not be reproduced without the expressed written consent of Steven Santos / Simply Circus, Inc.  This includes posting this FAQ to any other website without permission.  If you run a contortion program and want to post a copy of this FAQ on your website, print it up and distribute it to your students, or make other such use of it, you need to ask first.

Section 1.2 Who is this written for?

While we recognize that the information in this document may be useful to others studying the art of contortion, this FAQ was written and is  primarily intended as a classroom aid for Simply Circus Contortion students.

Section 1.3 Disclaimer

Contortion is inherently dangerous. Damage to persons and property, including death, can result. This FAQ is an attempt to share knowledge and experience and to promote safety. But do not rely on anything you read here without verifying its accuracy and applicability to what you are doing.

Neither the authors of this FAQ nor Simply Circus Inc. makes any representations as to the safety or appropriateness of any practice or equipment recommendation contained herein. Always consult with your own qualified expert.

** If you do follow any practices presented here, **
**      know that you do so at your own risk.      **

It is very important that each of us understands the limitations of our own knowledge, experience and ability. We need to know what we don�t know, and know what we can and can't do safely. If you have any doubt at all, get professional expert help.

We also make no representation about the legality of any particular practice. All jurisdictions have codes and regulations which may apply to what you are doing. Be sure to ensure your compliance with all such applicable codes and regulations, as well as any limitations which may be required by insurance companies.

Section 1.4 I have something that should be added to this FAQ, or a question that's not answered here, who can I contact?

Contact us at:
Simply Circus, Inc.
info@simplycircus.com        
14 Pierrepont Rd
Newton, MA 02462
617-527-0667


Section 2 - History of Contortion

The 'bender' was present in virtually all ancient civilizations in some degree or other.  Paintings and sculptures from ancient Egypt, Greece, Eturia, Rome (and many other ancient cultures) have all featured contortionists.  The near universal presence of contortionists in these ancient cultures indicates that  the art was likely practiced from the very beginnings of civilization.

Some parts of contortion history are better known than others.  For example, we know that Contortion was first featured in a Roman circus because the producers needed a form of entertainment that was less expensive than the killings that usually went on.  As the story goes, the producer found a Yogi beggar practicing in the streets of Rome, and hired him on the spot. The practice of using contortionists soon spread to other coliseums, and eventually to other forms of entertainment. 

Contortion has played an important part in entertainment, dance, art and literature. In recent times many European artists have chosen contortionists for models, and Mr. R. Tait McKenzie, noted portrayer of athletic sculpture, used the same type of model for several of his bronzes.

Earlier we talked a little about the Roman Yogi in the coliseum. That contortionist is commonly believed to have been a Yogi or a practitioner of the Hindu system of religion and health known as Yoga. In the course of daily meditations, yoga practitioners (or Yogi's) assume various contortion poses.  Each of these poses is supposed to induce specific bodily and spiritual benefits.  Yoga long ago assigned names to these postures that are still in common use today, and are included in this FAQ where possible. 


Section 3 - Contortion Facts and Myths

Showmen have long hyped contortion acts using both facts and myths about contortion to make the act appear more mysterious. Here we present you with some of the more commonly asked contortion myths and facts

Q. Do Contortionists apply snake oil to their joints to become flexible? 
A.
No, snake oil does not make you more flexible, though it is used in Chinese medicine as a remedy for inflammation and pain in the joints.  

Q. Do Contortionists eat or drink special elixirs to become flexible?
A.
No. During the 19th century, medicine shows popularized this myth by hiring contortionists to "prove" the effectiveness of their medicines.  These elixirs have never been proven to help with flexibility, though it did inspire fictional characters like the Elongated Man.

Q. Is it true that "double-jointed" people have more joints than normal people do?
A.
False.  Every fully-formed human has exactly the same number of joints*. The term "Double-jointed" is a slang expression used to describe the appearance of a person who can bend much further than the average person. 

(*a small number of people are born with an extra lumbar vertebra, extra finger, etc.) 

Q. Is it true that contortionists have to dislocate their joints when they bend unusually far?
A.
While it is not required (nor desirable) for the vast majority of contortion poses, at the advanced level a contortionist may pop a joint partially or fully out of of its socket to achieve specific poses. Dislocation of joints is not desirable since it makes the joint less stable, more prone to injury, and a lot less useable, as a dislocated limb cannot lift itself or support any weight.

Q. Is it true that you are either born a contortionist or you're not?
A.
No! While genetics does play a part in it, anyone can learn contortion.  With training, muscle flexibility can be acquired and range of motion increased. 

While there are a relatively few professional contortionists who claim they were not unusually flexible before training in contortion, many of the worlds best contortionists started off with a normal range of motion.  Those whose genetics predispose them to being naturally flexible start out with an advantage, but that advantage does not usually last very long without the hard work and training to go with it.

Q. Is it true that most contortionists have Ehlers-Danlos Syndrome?
A.
No.  While a few well-known contortionists have EDS, the reality is that very few contortionists have the condition. EDS is a fairly rare group of genetic conditions that all exhibit defective collagen production. The most common type of EDS is the Hypermobility Type, witch often includes unstable, hyper flexible joints with a painful tendency to dislocate.  

Q. Is it true that women are more apt to be contortionists than men?
A.
Yes, and no.  It is true that in modern times their is a lot more call for women contortionist than their is for male contortionists.  Because more work is available, more women tend to stay in the field longer.  

If we are to look through the various archives of contortion pictures throughout history and around the world, taken as a whole, they show nearly equal numbers of males and females. Western contortionists in the late 19th century were mostly men, just as extreme flexibility in modern India is practiced mostly by men. 

Q. Is it true that contortion runs in families?
A.
Yes. Its difficult to tell if the "family lines" of contortion is due to nature (genetics) or nurture (more exposure, more training), but medical studies have shown that nearly equal numbers of hypermobile males and females are found when the trait runs in the family.

Q. Is it true that Asians are more flexible than Caucasians?
A.
While the art of contortion may be more popular in Eastern cultures, the level of flexibility is more a result of individual variation and training methods than ethnicity. Even though more Asian contortionists are seen on stage, this does not mean Asians are naturally more flexible than Caucasians.

Q. Is it true that you can only bend or twist the spine?
A.
This is a fairly complex question.  The spine is made up of several different regions, each of which has its own properties. 

The cervical spine (the top 7 vertebrae) *is* designed for both twisting and bending at the same time. The top two vertebrae in the cervical spine - the atlas and the axis - are designed specifically for rotation. These vertebra allows your neck (cervical spine) to both bend and twist (and do both together) safely.

The thoracic spine (the 12 vertebrae starting just below the cervical spine) twists relatively little because the ribs connect it to the sternum in the front of the chest, but its not generally a good idea to bend and twist this area at the same time.

The lumbar region of the spine (the 5 - in some people 6 - vertebrae below the thoracic spine) does not have vertebra designed for twisting, so when you twist this region of the back, you are twisting using the soft disks for rotation. Their is a very specific technique that allows *some* bending and twisting of this area safely at the advanced level, but in general you should not bend and twist this section of the spine either.

The 


Section 4 - General information about practicing contortion

Section 4.1 - What you should know before beginning contortion

Section 4.2 - What age should you start contortion

Section 4.3 - Clothing for contortion

Section 4.4 - About the spine

Q. What are the parts of the back?
A.
Starting at the top of your spine, you have:

  • The 7 vertebrae of the Cervical spine.  
  • The 12 vertebrae of the Thoracic spine
  • The 5 (in some cases 6) vertebrae of the Lumbar spine
  • The 5 fused vertebrae of the Sacrum (Pelvis)
  • The 3 vertebrae of the Coccyx 

Q. Can you tell me about the forward and backwards curve of the spine?
A.
The spine has natural bends both forward and backwards.  The cervical and Lumbar regions of the spine have what is known as a Lordotic curve (the C of the curve bends towards the back).  The Thoracic spine has what is known as a Kyphotic curve to it (the C of the curve bends towards the front).  The bend of the Coccyx is also a Kyphotic curve.  For a more detailed explanation of the curve, visit This page at Spine Universe 

Q. Why is the spine divided into the regions that it is?
A.
The spine is divided based on physical changes in the vertebra.   Those changes correspond to where the Lordotic and Kyphotic curves begin and end.

 

 


Section 5 - Contortion Stretches

What follows is a list of the more common contortion stretches.  I won't claim that this list does much more than scratch the surface at the moment, but we will keep adding to it in the hope that this eventually become a very useful resource.

Section 5.1 - Head and Neck Stretches

Chin to Chest
  Chin to Chest (assisted)

Ear to Shoulder (Upper Trapezius Stretch)
  Ear to Shoulder (assisted)

Head Twist (left and right)

Eyes to the Sky 
  Head rolls (left and right)

Start in Chin to Chest.  Roll the head to the ear to shoulder position, then the eyes to the sky position, then to the opposite ear to shoulder and back to chin to chest 

   

 

Section 5.2 - Arm and Shoulder Stretches

Posterior Shoulder Stretch 

Horizontal Abduction Shoulder Stretch

pectoral shoulder stretch

 

Anterior Shoulder Stretch / Front Deltoid Stretch
Seated Anterior Shoulder Stretch
PNF Seated Front Deltoid Stretch
Assisted Anterior Shoulder Stretch

Overhead Triceps Stretch
Assisted Arm Scissors
   

Pike Anterior Shoulder Stretch / Front Deltoid Stretch

Wall Sink - aka "Butts Out"
   
   
   
   
   
   

Section 5.3 - Front Bends

Childs Pose

Rolling Out the Back

Standing Pike Stretch (Padahast asana or Uttan asana)
Chair Assisted Straddle Front Bend
Plow
Plow - Knees to the ground
Plow - Straddle Split

Candlestick
   
   

 

Section 5.4 - Back Bends

Cobra

Scorpion

Bridge
  Bow pose (Dhanur asana)
Leg Pull
Standing Knee Bridge
   
   

Section 5.5 - Twists

  Spinal Twist
Straddle Twist
Straddle Twist to Front Split
   
   
   
   
   

Section 5.6 - Leg Stretches

  V-sit
  V-sit Pancake
Frog Legs Stretch
  Straddle Split
  Assisted Front Split
  Assisted Straddle Split
Wall Assisted Needle Scale Stretch
   
   

Section 5.7 - S stretches

   

S-Wall Sink

S-Wall Bridge

Standing S

Chair Assisted S-bend Bridge
S-bend Bridge
S Bend Chest Stand
   
   
   

Section 5.8 - Chest Stands

   
   

 


Section 6 - Contortion Balances

Section 6.1 - Standing Balances

  Single Leg Swan Balance (Eka Pada Hamsa Parsvottan asana)
  Half Lotus Toe Balance (Padangustha Padma Utkat asana)
  Side Scale
  Half Moon (Ardha Chandr asana)
  Eagle Pose (Garud asana)
  Standing Split (Urdhva Prasarita Eka Pad asana)
  Standing Half Bow Balance (Utthita Dhanur asana)
   
   
   
 
   

Section 6.2 - Hand Balances

  One handed Side Lever
  One handed Front Lever (Ek Hasta Mayur asana)
  Two handed Front Lever (Mayur asana)
  Bak asana
  Pendant Pose (Lol asana)
  Lifted Lotus (Tol asana)
  One Hand Over Balance (Eka Hasta Bhuj asana)
  Arm Pressure Balance (Bhujapid asana)
  Raised Lotus (Garbha Pind asana or Kukkut asana)
  One Legged Crane (one legged variation on Bak asana)
  Sideways Crane (Parsva Bak asana)
  Legged Sage Balance (Eka Pada Galav asana)
  One Legged Sage Balance 2 (Eka Pada Koundiny asana)
  One Leg behind the head hand balance (Eka Pada Sirs asana)
  Suspended Front Split
  Suspended Straddle Split
  Eight Bend Balance (Astavakr asana)
  Legs behind the head hand balance (Dwi Pada Sirs asana)
   
   
   

Section 7 - Contortion Movements

Section 7.1 - Rolls

  Front Contortion Roll
  Back Contortion Roll
  Egg Rolls
  Straddle Split Egg Rolls
  Front Split Egg Rolls
  Overs (Bridge to Downward Dog)
  Unders (Bridge to Downward Dog)
   

Section 7.2 - Tumbling Skills

  Front walkover
  Back Walkover
  Tinisca
  One handed front walkover
  One handed back walkover
  Split leap
   
   

Section 7.3 - Dance steps

   
   
   
   
   
   
   
   

Section 8 - Control Exercises

  Contortion Flower
  Vertebra Control Exercise
   
   
   
   
   
   

Section 9 - Class Resources

Section 9.1 - 

 

Contortion definitions

Word Definition
Anterior The front portion of the body. It is often used to indicate the position of one structure relative to another, or a direction of movement.
Apical Vertebra  The most rotated vertebra in a curve
   
   
   
   
   

 

Centrum – The body of a vertebra.

Cervical – The neck region of the spine containing the first seven vertebrae.

Cobb Angle Measurement – Calculated by selecting the upper and lower end vertebrae in a curve. Erecting perpendiculars to their transverse axes. At their point of intersection, the angle is measured to indicate the curve's angle.

Coccyx – The region of the spine below the sacrum. It is also known as the tailbone.

Compensatory Curve – A curve, which can be structural, above or below a major curve that tends to maintain normal body alignment.

Compression – The act of pressing together – refers to the loss of vertebral body height either anteriorly, posteriorly or both.

Coronal – Refers to a section that divides the body into anterior and posterior portions.

Disc (Intervertebral) – The tough, elastic structure that is between the bodies of spinal vertebrae. The disc consists of an outer annulus fibrosus enclosing an inner nucleus pulposus.

Distal – Situated away from the center of the body.

End Vertebra – i. The most cephalad (i.e. toward the head) vertebra of a curve, whose superior surface tilts maximally toward the concavity of the curve. ii. The most caudad (i.e. toward the coccyx) vertebra whose inferior surface tilts maximally toward the concavity of the curve.

Facet – A posterior structure of a vertebra which articulates with a facet of an adjacent vertebra to form a facet joint that allows motion in the spinal column. Each vertebra has two superior and two inferior facets.

Foramen – A natural opening or passage in bone.

Fusion – Union or healing of bone.

Gibbus – A sharply angular kyphos.

Iliac Bone – A part of the pelvic bone that is above the hip joint and from which autogenous bone grafts are frequently obtained.

Iliac Crest – The large, prominent portion of the pelvic bone at the belt line of the body.

Intervertebral Disc – See Disc.

Inferior – Situated below or directed downward.

Joint – The junction or articulation of two or more bones that permits varying degrees of motion between the bones.

Kyphosis – An abnormal increase in the normal kyphotic curvature of the thoracic spine.

Lamina – An anatomical portion of a vertebra. For each vertebra, two lamina connect the pedicles to the spinous process as part of the neural arch.

Lateral – Situated away from the midline of the body.

Ligament – A band of flexible, fibrous connective tissue that is attached at the end of a bone near a joint. The main function of a ligament is to attach bones to one another, to provide stability of a joint, and to prevent or limit some joint motion.

Lordosis – An abnormal increase in the normal lordotic curvature of the lumbar spine.

Lumbar – The lower part of the spine between the thoracic region and the sacrum. The lumbar spine consists of five vertebrae.

Medial – Situated closer to the midline of the body.

Nerve Root – The bony arch of the posterior aspect of a vertebra that surrounds the spinal cord, also referred to as the vertebral arch.

Non–Union – Failure of the fragments of a fractured bone to heal or to obtain bony fusion following an arthrodesis.

Nucleus Pulposus – The semi–gelatinous tissue in the center of an intervertebral disc. It is surrounded and contained by the annulus fibrosus which prevents this material from protruding outside the disc space.

Pedicle – The part of each side of the neural arch of a vertebra. It connects the lamina with the vertebral body. 

Physical Therapy – The treatment consisting of exercising specific parts of the body such as the legs, arms, hands or neck, in an effort to strengthen, regain range of motion, relearn movement and/or rehabilitate the musculoskeletal system to improve function.

Posterior – Located behind a structure, such as relating to the back side of the human body.

Proximal – Nearest the center of the body.

Pseudoarthrosis (also Pseudarthrosis) – A form of a non–union in which there is the formation of a false joint with some cartilage covering the ends of the bones and a cavity containing fluid that resembles a normal joint.

Rib Hump – The prominence of the ribs on the convexity of a spinal curvature, usually due to vertebral rotation best exhibited on forward bending.

Rotation – The movement of one vertebra to another about its normal or abnormal coronal axis.

Sacrum – A part of the spine that is also part of the pelvis. It articulates with the ilia at the sacroiliac joints and articulates with the lumbar spine at the lumbosacral joint. The sacrum consists of five fused vertebrae that have no intervertebral discs.

Sagittal – Refers to a lengthwise cut that divides the body into right and left portions.

Scoliosis – Lateral (sideways) curvature of the spine.

Skeleton – The rigid framework of bones that gives form to the body, protects and supports the soft organs and tissues, and provides attachments for muscles.

Spinal Stenosis – Reduction in the diameter of the spinal canal due to new bone formation which may result in pressure on the spinal cord or nerve roots.

Spinal Disc – See Disc (Intervertebral).

Spinal Column – See Spine.

Spinal Canal – The bony channel that is formed by the intravertebral foramen of the vertebrae and in which contains the spinal cord and nerve roots.

Spinal Cord – The longitudinal cord of nerve tissue that is enclosed in the spinal canal. It serves not only as a pathway for nervous impulses to and from the brain, but as a center for carrying out and coordinating many reflex actions independently of the brain.

Spine – The flexible bone column extending from the base of the skull to the tailbone. It is made up of 33 bones, known as vertebrae. The first 24 vertebrae are separated by discs known as intervertebral discs, and bound together by ligaments and muscles. Five vertebrae are fused together to form the sacrum and 4 vertebrae are fused together to form the coccyx. The spine is also referred to as the vertebral column, spinal column, or backbone.

Superior – Situated above or directed upward toward the head of an individual.

Tendon – The fibrous band of tissue that connects muscle to bone. It is mainly composed of collagen.

Thoracic – The chest level region of the spine that is located between the cervical and lumbar vertebrae. It consists of 12 vertebrae which serve as attachment points for ribs.

Transverse – Refers to a cut that divides the body into superior and inferior portions.

Vertebra – One of the 33 bones of the spinal column. A cervical, thoracic, or lumbar vertebra has a cylindrically–shaped body anteriorly and a neural arch posteriorly (composed primarily of the laminae and pedicles as well as the other structures in the posterior aspect of the vertebra) that protects the spinal cord. The plural of vertebra is vertebrae.

Vertebral End–Plates – The superior and inferior plates of cortical bone of the vertebral body adjacent to the intervertebral disc.

 


Section 10 - Contortion Resources

Contortionists Unite . Social networking community for contortionists, trainers and fans (make sure to friend SimplyCircus if you join!)

 

 

 

 

 

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Last modified: June 20, 2009